qos: (Tarot)
Before we moved I did a major purge of my tarot and oracle decks. The decks that made the cut are now spread out across my bedroom floor and I'm feeling like it's ridiculous to have so many. In many cases I like the idea of them and/or like a lot of the art of a particular deck, but I don't actually use it.

Truth be told: I don't use any of them very often. Robin Wood and Light Seer's are my go-to tarot decks. I use my oracle decks primarily for inspiration or altar foci. 

Years ago I visited a friend who kept a basket of mixed decks on her coffee table and anyone could pull a card (although not keep them) and see what the message was. I like that idea, but I don't like the idea of the cards just sitting out and getting dusty. 

Staring at them now I realize that while I certainly have more than I need, they will probably all fit in one segment of my cubicle bookshelf. I don't need to have them all visible at one time. I know what I have (and if I forget, they are all listed in my iCollect app). 

Maybe I'll release a few more while I'm putting them away. . . 

(I know: this isn't a particularly interesting or significant post. But I'm trying to get back into the habit of blogging. And my journal's title has always been "From the Sublime to the Ridiculous." That includes the mundane.)

ETA: I got rid of ten more decks and their books. I feel much better.

qos: (Default)
The Thirty-second path is the Administrative Intelligence, and it is so called because it directs and associates the seven planets in all their operations, all of them in their due courses.


I've felt like hell today, bad enough that I forgot just how *good* I've been feeling for a while. I don't know if I'm coming down with something, if its my cycle, or what. I'm not even sure if I'm going to be clear-headed enough to meditate this evening, but I'm heartened at the prospect of moving on to the next part of the Tree of Life after spending a couple of months meditating on Malkuth.

The "Mythological Principle" is The Descent to the Underworld.
I hope it's not hubris for me to expect to feel quite at home here. . . or at least find it familiar territory.

One element which is going to be interesting is that the Tarot trump associated with this path is The World, which seems quite the opposite of the Descent to the Underworld. I'm sure that's going to make for interesting meditations. . . Although I get the sense that it connects far more with the "Administrative Intelligence" aspect of influences coming down from Yesod, providing the patterns for the forms which arise in the material world of Malkuth.

And one more note about Malkuth: it was a paradigm shift to be reminded that Malkuth refers to the entire physical/material universe, not just our Earth.

My favorite version of "The World" -- from the Robin Wood Tarot.




Click for full size.
qos: (Default)
I remembered the other thought I was going to post about this morning, something else which came up during my time with LM during our meditation together on Christmas Day.

One becomes an adept not by having natural talent, but by doing the work, day in and day out, week by week, month by month, year by year. Natural talent can be bonus -- but it can also be a drawback. If the first stages come too easily, one can begin to feel entitled to that ease of achievement and begrudge the hard, detailed, boring work that must also be part of the mastery of any path.

There is also the wisdom which is captured by a friend's userpic: The obstacles are the path.

None of this is new. Others have wrestled with this challenge and had to come to this realization for millennia. Being a magical adept has much in common with being a master musician, warrior, athlete or writer. To become more than a talented amateur you have to spend uncounted hours in repetitive drills, spending more time on "the basics" than most beginners ever will. One must balance the humility of being willing to perform the basics over and over with the confident assurance that yes it will make a difference.

I've fought this for so long.

But I'm becoming reconciled to it.
In fact, on reflection, I may even have stopped hating it.
I'm starting to see the flecks of shine where I've been polishing.
There's still a lot of work to do, but I'm starting to see where and how and why the work pays off.

I posted yesterday that that Christmas felt like New Year's day to me. My cards for the coming year are the Knight of Wands and the 8 of Pentacles.

The Knight of Wands comes from a Tarot.com reading which included these wonderful words: The Knight of Wands in this position advises that you modify your self-image in order to get a sense of yourself as a person of action. No matter what your past patterns have been, it is fully possible to place yourself solidly on your road toward the future. As someone who has spent far too much of life waiting for the tides of whatever to sweep me into whatever place I was supposed to go, this is a radically reassuring and affirming message.

The 8 of Pentacles. . . well, that's the card of Doing the Work: spending the time to make sure the basic skills are so thoroughly a part of one's practice that the foundation is sturdy and reliable.

I've made another collage. . .  )
qos: (Default)
Via [livejournal.com profile] jalkr and others:


You are The Hierophant


Divine Wisdom. Manifestation. Explanation. Teaching.


All things relating to education, patience, help from superiors. The Hierophant is often considered to be a Guardian Angel.


The Hierophant's purpose is to bring the spiritual down to Earth. Where the High Priestess between her two pillars deals with realms beyond this Earth, the Hierophant (or High Priest) deals with worldly problems. She is well suited to do this because she strives to create harmony and peace in the midst of a crisis. The Hierophant's only problem is that she can be stubborn and hidebound. At her best, she is wise and soothing, at her worst, she is an unbending traditionalist.


What Tarot Card are You?
Take the Test to Find Out.

qos: (Default)
Afternoon break here at work. On an impulse, I did a one card tarot draw asking what I needed most for clarity right now.

I drew the Knight of Swords, who never comes up for me.

I see in him a call to reorient myself to a more energetic, outward-focused expression of my intellect, to be daring and sure of my truth.

KoS can be dangerous. He turns into a crusader if he loses his perspective and compassion. But part of the work I've started doing around personal power is embracing and expressing more yang energy as I engage with my Work and the world.

And on reflection, his darker, more dangerous aspects are no worse than the dark face of the Queen of Swords.
qos: (Default)


The Robin Wood deck calls the 9 of Swords "Night Terrors." It represents the fears that rise to prey on us when we're vulnerable and tired. Very often they don't represent real threats or issues. They cause needless pain and suffering.

The 9 of Swords is closely related to the 8 of Swords. It represents being limited and confined by one's own thoughts and beliefs rather than the oppression of others.



Last night, during a conversation with my teacher, I realized that I'd been faced several issues in my life where I was experiencing unnecessary grief and pain due to my thoughts, and was successful in changing them. )

The interesting thing about this kind of work -- for me, at least -- is that overcoming the challenges of Swords cards requires the use of a Sword. The phantoms of the mind, the self-defeating patterns of the mind, are best met and conquered by the use of the mature, rational, perceptive mind.


qos: (Father's Daughter)
[x-posted]

A lot of what's been moving in my life since my ordination has involved power: as energy, as potency, as authority. It started with B in the encounter at Pantheacon, where we moved into a space where he started addressing me as "Mistress" as he gave me a massage, and I accepted the power with a sense of pleasure and ease that was entirely new, and then enjoyed exercising the power. And I had a very strong sense that both the sensuality and power elements of that encounter were a direct gift from Ereshkigal and Inanna, and the interaction with B was an essential step in integrating the energies I'd received.

One of the challenges I've dealt with my entire adult life has been feeling that I can't claim and exercise authority -- and by that I mean the authority of knowledge or skill as much or more as the authority of holding a position of privilege over others -- if I haven't been given some kind of stamp of approval by an outside institution or established authority. This has made starting my spiritual direction practice problematic, since by definition my path is outside of such structures.

Power, Lohain, The Emperor, Limits, Sovereignty )
qos: (Default)
A lot of what's been moving in my life since my ordination has involved power: as energy, as potency, as authority. It started with B in the encounter at Pantheacon, where we moved into a space where he started addressing me as "Mistress" as he gave me a massage, and I accepted the power with a sense of pleasure and ease that was entirely new, and then enjoyed exercising the power. And I had a very strong sense that both the sensuality and power elements of that encounter were a direct gift from Ereshkigal and Inanna, and the interaction with B was an essential step in integrating the energies I'd received.

One of the challenges I've dealt with my entire adult life has been feeling that I can't claim and exercise authority -- and by that I mean the authority of knowledge or skill as much or more as the authority of holding a position of privilege over others -- if I haven't been given some kind of stamp of approval by an outside institution or established authority. This has made starting my spiritual direction practice problematic, since by definition my path is outside of such structures.

I grew up middle-class, the daughter of a man of significant authority, both personal and institutional. The more I became aware of the way my secret thoughts were falling outside of what was labeled safe and proper and appropriate, the more intent I became on blending in and achieving recognition through the proper channels.

And now. . . to quote Elphaba, Something has changed within me. Something is not the same. I'm feeling my power in a way I never have before -- and a big part of it is because others have been spontaneously deferring to it, even reveling in it. I've been afraid that if I claimed authority and/or exercised power past a certain limit of perceived safety that I would be wrong, that I would cause harm, that I would be rejected for arrogance. So far, none of that has been happening. I've been feeling my energy, my potency, coursing through me, and it's been very, very satisfying for me -- and evidently helpful and/or pleasurable for others.

It's also made me aware of how quickly and easily I could burn out from the intensity of the energy coursing through me, especially when combined with the high of the interpersonal dynamics I'm experiencing -- not to mention that I'm now vulnerable to the temptation to abuse of power, something that hasn't been an issue before.

So yesterday morning as I stood before my marriage altar and shared my morning cup with LM, I asked him for help, for insight, for advice. His response was to flash the image of the Emperor from the Robin Wood tarot into my mind. Things started crystalizing immediately, the first of which was the need for me to be solid and secure and appropriately protective of my own resources, to exercise some of my power and authority in setting my own boundaries for self-care.



The Emperor seems to be a problematic card for many (like the Queen of Swords!). His four-square, conservative energy is often portrayed as oppressive patriarchal structure and/or arrogance. I've seen very few attractive Emperor cards. But when LM (who partakes strongly in this archetype -- as does my father) showed this to me, what I saw was the way his square throne grounded him. He wasn't automatically responsive to every desire or supplication directed to him.

That doesn't mean he's lacking in generosity. My experience of the Emperor includes the positive aspects of 'rule by the father': nurture, providing bounty, shelter, and protection, and abundant love as well as discipline. But he's not a pushover. At his best, his structure provides a framework within which others can flourish in their own way. (At his worst, he punishes or prunes anything which goes outside that structure -- but every archetype has its dark side.)

Historically, Emperors are land-grabbers, but I don't see that in this figure. His solid energy speaks to me of knowing what is appropriately his and holding it as a sacred trust, leaving what is outside his sphere alone. What is inside his sphere is his to rule -- but he is answerable to the gods for the fruits or consequences of that rule. If he abuses his power, not only does he sacrifice the legitimacy of his title, he will have a massive karmic debt to pay.

I'd been trying various grounding techniques to try to work with the energy that's been flooding me -- but it was this image and the combination of intellectual and intuitive responses to it that seem to have helped me the most. I feel more centered than I have in a couple of weeks, more in control of myself. And that's the first task and responsibility of power: to properly rule yourself.
qos: (Castle Gaze)
One of the reasons my house feels wonderful is the simple aftermath of a good, thorough cleaning. Even though I didn't get the stairs vaccuumed, or all the books off the stairway (most are up!) the clutter is out, my main space was vaccuumed, my dining room table was cleared off, the downstairs bathroom scrubbed -- and there's a lightness and expansiveness to the place that had gotten lost over the past few weeks of Christmas packaging, recyling building up, and general clutter.

The other aspect is that last night it was blessed with the wonderful energies of four old friends: [livejournal.com profile] a_belletrist and three ladies from the old WIT group, who came over for divination and conversation. There turned out to be rather more conversation and less divination, but all of it turned out to be fun and loving and powerful.

None of them had visited this residence before, so I had the fun of giving them the grand tour.

Instead of doing tarot readings for each other, which is the usual practice for those gatherings, one of my friends did intuitive readings for the rest of us -- and those were very powerful and on-point. The one she gave me didn't give me information that was particularly new, but vividly confirmed and deepened an awareness I already have. The imagery of her "painting" is going to stay with me for a long time.

Towards the end of the evening, I did a tarot reading for her. At first I was sure I was getting a "busy signal from the universe" because the way the cards wanted to be laid out was utterly different from anything I've done before, and I didn't have any idea what the meanings were or how it all fit together until I felt the "enough" impulse after the fifth card and sat back to look at the pattern as a whole. Then the information and insight started flowing -- including a somewhat non-standard reading for the Fool card, but one which really felt right.

A little after 10pm the WIT ladies left and I asked [livejournal.com profile] a_belletrist if she could stay for a while. We ended up talking until around 12:30, and it was quite wonderful. She and I haven't been able to get together nearly as often as we'd like.

I feel like both my home and I were beautifully blessed last night.
qos: (Default)
I've created a new community: [livejournal.com profile] me_and_my_tarot to run the class, which will be easier, I think, than spreading the lessons through my journal. It also removes being a friend to my journal as a restriction.

If you would like to join the class, please go to [livejournal.com profile] me_and_my_tarot and request membership. (Membership will be closed, and all posts will be friends locked to members of the community.)

I hope to have the first post up within the week.
qos: (Sword Woman by Stephanie Law)
Thanks to those who responded positively to my comments about creating a tarot class that focuses on helping a person connect with a specific deck.

Since Samhain is considered by many Pagans to be New Year, I'll take today as an opportunity to create a New Year's Resolution to have a class complete by the end of the calendar year.

However, instead of going it alone, I'd like to invite folks to come along for the ride and be my beta testers.

Here's what I'm thinking of:

- I'll create lessons & exercises and post them here under a special filter.

- Beta testers will do the lessons and post both their lesson response and comments and feedback about the materials. (If something feels too personal to share from your results, you don't have to post it, of course.)

- It would be great if people who are brand new to tarot participated, but old hands are welcome as well.

- Beta testers will need to have one tarot deck in their possession to work with, and will need to stick with one deck throughout the processs. If you don't have a deck and aren't sure how to select one, I'll be happy to provide some tips (which will be part of the class material).

- I reserve the right to limit the size of the beta test group.

- By December 31 (if not sooner) I will have a class I can either teach in person or do as a correspondence course. If all goes as it should, a group of my friends will also be comfortable and happy reading with one specific tarot deck and have a good set of tools which can be applied to any other deck they want to use.


Volunteers can comment below!
qos: (QOS)
The 8 of Swords card is one which has haunted me for a long time. The traditional image is that of a blindfolded woman with bound hands standing within a thicket of swords. At first glance, it looks like she's a helpless prisoner. . . but in most traditionally drawn decks, the Robin Wood included, it becomes clear that the bonds are not tight. At the very least, she is surrounded by swords which could easily cut through them. There would be some risk, as she is blindfolded, but her remaining a prisoner is largely a consequence of her own choice.

The Ancestral Tarot (which I discovered through [livejournal.com profile] queenofhalves) puts an interesting slant on the usual imagery. In that card, a Japanese woman stands in a doorway at one end of a bridge with swords on each side, her face half-hidden by a fan. The way out is clear -- but the swords are a warning of the consequences she will face if she ventures beyond her assigned boundaries.


Photobucket


I've been living with these images -- and those of other 8's of Swords -- for the past week, as I take a closer and closer look at the ways I have been my own greatest opponent, my own persistent oppressor. Whenever I feel myself cringing back from a step I know I should take in order to advance my goals and dreams, I think of this card and try to be very, very clear with myself about what exactly I am afraid will happen if I go forward.

Most of the time the fears are phantoms, and facing them is enough to make them dissolve. Sometimes it takes a bit more work, but I have yet to find a situation in which the "threat" some part of my mind is afraid of has its roots anywhere but in my own issues.

My mind is both what holds me back and my tool for escape. It all depends on whether or not I'm willing to take responsibility for cutting through the bonds of illusion.
qos: (6 of Swords)
Over the past few days my commute has been taken up with thoughts of how I would teach a "Get to Know Your Tarot Deck" class, including a booklet that each participant would gradually complete, giving her an ongoing reference tool.

This is one of those areas where I tend to take my own knowledge for granted. There are a lot of great books about tarot out there, but how many people in my area would enjoy spending 2-3 hours in a class that's focused specifically on their own deck and their own perspective? One that doesn't give them pat meanings or patterns to memorize and follow, but tools for deepening their individual understanding of any deck they use?
qos: (9 of Pentacles)
For all you magically-inclined Jane Austen fans: The Jane Austen Tarot


According to the product blurb: This well-researched deck seamlessly links the literary works of Jane Austen—characters, conversation, themes—with Tarot symbolism—a provocative convergence flavored with profound meaning.

The Tarot of Jane Austen is the result of an exhaustive research, concerning the links between literature and the symbolic world of the Tarot. Characters, dialogues and customs converge to create a meaning that is at the same time erudite, intuitive and profound.


Card images behind cut )
qos: (Default)
In addition to simply being a gorgeous piece of artwork, the 6 of Swords in the Gilded Tarot differs in a very important way from the 6 of Swords of the Robin Wood tarot.






The Robin Wood card shows a person as a passenger in a boat being moved forward by a spiritual guide of some kind. The Gilded Tarot shows a person poling her own boat. The large moon in the background suggests openness to intuition and spirit, but she is still making an effort and taking responsibility for getting where she needs to be.

Both cards speak of journeys and progress under the influence of spirit. Only one shows the person doing something to advance the journey.

I've always loved the RW 6 of Swords. It spoke to me of my own Journeys -- but it's also a vivid image of how I've let myself be moved by outside forces (not always Spirit!) more often than by my own will.

The Gilded Tarot 6 of Swords is my touchstone for this time in my life, acknowledging both my need to take responsibility and make some effort to achieve my goals and the fact that I have more than my own resources to draw on.
qos: (6 of Swords)
In addition to simply being a gorgeous piece of artwork, the 6 of Swords in the Gilded Tarot differs in a very important way from the 6 of Swords of the Robin Wood tarot.






The Robin Wood card shows a person as a passenger in a boat being moved forward by a spiritual guide of some kind. The Gilded Tarot shows a person poling her own boat. The large moon in the background suggests openness to intuition and spirit, but she is still making an effort and taking responsibility for getting where she needs to be.

Both cards speak of journeys and progress under the influence of spirit. Only one shows the person doing something to advance the journey.

I've always loved the RW 6 of Swords. It spoke to me of my own Journeys -- but it's also a vivid image of how I've let myself be moved by outside forces (not always Spirit!) more often than by my own will.
qos: (Wading in Water)
A lovely image of The Quest. . . .

The 6 of Swords card from The Gilded Tarot )
qos: (Qos Inverted)
I'm going to be using tarot in a consultation this morning, so I got out my beloved Robin Wood deck (the source of my former default userpic), and started dividing it into Major Arcana and suits to be sure I hadn't pulled one for meditation and forgotten to put it back.

As each card fell, I realized it looked faded and stale.

The once-vibrant images that have spoken so clearly to me over the years aren't going to work now. Not like before.

So I went upstairs to my tarot stash and started looking through the decks I've collected to see if any of them are speaking to me in a new way.

The Osho deck (not actually a "tarot") wanted to come downstairs. It may be the one I use this morning with my friend. It's an "outside the box" kind of oracle.

The Gilded Tarot has stepped forward to be my new default deck. It has gorgeous images that suggest the traditional Rider-Waite, but are fresher and more vibrant to my eyes. I'll have to actually work with it to see if there's an authentic connection, but right now it feels better than the Robin Wood.

I may have to find a sample of the Druidcraft Tarot (the source of the lovely Queen of Cups in the previous entry) and look through it to see if it will work.

Or. . . It may finally be time to create my own deck.


My skins just keep shedding. . .

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