qos: (Magdalene QoS)
Etty Hillesum books Sometime during or after my sophomore year of college (1985-86), almost certainly after my existential crisis decimated any sense of certainty I’d had about religion or anything else, I found the book on the left: An Interrupted Life: The Diaries of Etty Hillesum. Etty was a 27 year-old Jewish woman who lived in Amsterdam, and who started keeping a diary in 1941. Along with her observations about the war and the danger she and her fellow Jews were in, she wrote vividly about her intellectual, spiritual, and erotic life, which were all intensely intertwined. She strove to have what she called “a thinking heart.” I was utterly captivated the book, and it has stayed with me all the years since.

A few weeks ago I discovered – quite by accident – that the volume I owned was only a small portion of Etty’s diary. The book on the right is her Complete and Unabridged diary, along with the letters she wrote from Westerbork, a work camp where she was imprisoned before she was taken to Auschwitz. The unabridged volume is out of print, and I paid quite a bit for it, but it feels like one of the best expenditures I’ve made in a very long time. I feel like I am entering a “new octave” in my own life, integrating (finally) a lot of old lessons and releasing old aspects of my identity which went with them. Finding Etty anew at this time, and with so much more material, feels highly synchronous.

I haven’t had time to compare the texts yet, but the differences between the covers speaks volumes. The softly muted, pastel portrait on the left, with its demurely downcast eyes, hardly seems to have anything to do with the frank, bold, intense expression of the photograph on the right. It’s easy to suspect that there will be a great deal in this version which the previous editors found unsettling or uncomfortable, or which they feared their readers would not find appealing. I am looking forward to meeting Etty all over again, and I tremendously grateful for the thirty years of life and experience I’ve had since then. Years which were denied to her by anti-Semitic hatred and violence which still scar our world today. Her words are a gift. Her memory is a blessing.
qos: (Books Reading)
I'm in need of an engaging, at least slightly escapist, satisfying novel to read. In moods like this I'm mostly drawn to fantasy, space opera and historical fiction.

Something along the lines of Guy Gavriel Kay, Lois McMaster Bujold, Jacqueline Carey, Anne Bishop, Sara Donati, Parke Godwin, Sean Stewart. . .

I just finished re-reading Kushiel's Mercy, and it's making me impatient with everything else I try to pick up.
qos: (Leia Blaster)
Swiped from [livejournal.com profile] oakmouse and [livejournal.com profile] haggispatrol. . .

List fifteen fictional characters (television, films, plays, books, comics) who've influenced you and will always stick with you. List the first fifteen you can recall in no more than fifteen minutes.

[I need to include a few ensembles and some gaming characters.]

1. Dorothy Gale, formerly of Kansas
2. The nuns from The Sound of Music
3. Princess Leia
4. Jehane bet Ishak, Ammar ibn Khairan, Rodrigo Belmonte, The Lions of Al-Rassan
5. Guenevere, from Parke Godwin's Beloved Exile
6. Cordelia Naismith Vorkosign & Aral Vorkosigan, Shards of Honor
7. Elana, Enchantress from the Stars
8. Delenn, Babylon-5
9. Queen Christina of Sweden, as portrayed in The Abdication (stage version, not the movie)
10. Lady Jane, in the movie Lady Jane
11. Elphaba, Wicked, the musical
12. Adela Quested, from the movie version of A Passage to India
13. Sabrina Verrick, Moonstruck Madness
14. Mari the Magdalene, The Moon Under Her Feet
15. Red Ruarri the Mactire, Summer of the Red Wolf


"Influenced you" is what makes this meme a bit more challenging -- and intresting -- than most. It's one thing to make a list of "favorite" characters, and another thing entirely to list those who have actually changed you in some way. Each one of the characters on this list either shifted my consciousness or got so deeply under my skin that they have become part of me.
qos: (Books Reading)
It's been a very long time since I've read romance novels, and to be honest: I haven't really been in the mood to read about other peoples' happy endings for a while. But on an impulse I ordered a romantic fantasy anthology called Lace and Blade from Amazon after it came up in my recommended list.

So far it's delightful. I just finished reading "The Topaz Desert", by Catharine Asaro, whose name I've seen frequently but whose novels I've never read. It was well-writen, romantic, erotic. . . delightful to read.

The other story, "The Beheaded Queen", is about a queen who was beheaded for cuckolding her king-husband and kept alive by magic for ten years, many of those kept in a cupboard. The story of why she is finally brought out, and what she does with her freedom, is also enjoyable.

The book claims to have a swashbuckling theme, but both the stories I've read so far are not swashbucklers at all, just straightforward fantasy. I cherish some hope, however. . .

I'm looking forward to reading the rest of the stories.

Fun Book!

Aug. 11th, 2010 06:13 am
qos: (Elphaba Writing  by elphie_chan)
Thanks to [livejournal.com profile] punzel for suggesting Julia Cameron's How to Avoid Making Art! What a delightful, funny, insightful book! I recognized myself on all too many pages, but it made me smile, not feel guilty.

Anyone who has trouble with any kind of creative block should pick up this book. It's all single page cartoons, so it takes little time to read, but the cumulative impact is powerfully positive.
qos: (Wading in Water)
. . . is definitely better than life with it.

I have significantly more energy than I've had in I-don't-know-how-long. I get hungry less often, and less intensely. My mind is more clear. I've lost two pounds in the past week, partially due to eating less, but partially due to having the energy to actually take care of myself and cook decently healthy food and do yoga. I even got on the Wii and played fitness games for half an hour last night.

The other aspect of my relationship with my hunger has been a side effect of the book Yoga and the Quest for the True Self, by Stephen Cope, which I strongly recommend to anyone with the least bit of interest in the intersection of the body and spirituality. I don't tend to connect with the Eastern traditions very much, but most of the spiritual aspects Cope discusses in the book strongly resonate with what I've been learning in my Qabalah studies.

Cope's discussion of non-attachment hit home in a particularly powerful way. He wrote about observing physical sensations that come up and not judging them as "good" or "bad" or something to be embraced or avoided, but just experienced. This finally connected to my deeply irrational fear of being hungry. For years I've realized that when I'm hungry it's not just a physical sensation, some part of me is afraid of the consequences of hunger: of physical weakness, loss of concentration and mental acuity, of pain, of all kinds of non-specific but potent Bad Things.

Last week when I was driving to the grocery store after work I felt familiar after-work hunger pangs. Usually this means that I'll go to the drive-through and get at least a small hamburger (I've cut *way* down on my drive-through consumption). This time I simply observed that I was hungry, and didn't judge or experience it as something bad to be avoided or eliminated as soon as possible. I was hungry, that was all. I didn't grab a snack; I simply went to the grocery store then came home and cooked a healthy dinner.

It was a quietly powerful paradigm shifting experience.
qos: (Always & Always)
Will be released June 14th!

She'll be at the U bookstore in Seattle on June 16 and Powell's in Beaverton on the 18th.
qos: (Tiger and Foot)
Tuesday night, Hob and Wolfling and I went to see Guy Gavriel Kay, who was being interviewed by super-librarian Nancy Pearl at a local library. Kay has been one of my favorite authors for years, and remains one of the very few whose books I pre-order and buy in hardback. The Lions of Al-Rassan is one of my top two or three favorite books, and his Fionavar Trilogy, the "Sarantium Mosaic" duology, and Song for Arbonne are second-tier favorites.

I was eager to see Kay in person, but also a bit cautious, afraid of being disappointed. As it turned out, however, he was charming and interesting, and Pearl was a very good interviewer. One of my favorite bits of information was finding out that he had a law degree, because it puts a fun spin on the fact that two of the leading characters in the Fionavar books are law students.

When it came time for the signing, I was shameless in rushing ahead of Hob and Wolfling to get in line. Although I had already purchased and read Kay's newest book, I had brought with me my hardback copy of The Lions of Al-Rassan (which Hob himself had given me for my birthday a year or two ago to replace my battered paperbacks).

As I stood in line I fretted a bit about what I would say when it was my turn. What could I possibly say to GGK that he hadn't heard hundreds of times before?

Unlike many other authors, whose book-signings are machine-like with only the briefest interaction between author and reader, Kay took his time with each person, really focusing on what they said and interacting with them. When it was my turn, I told him that I had already read and liked "Under Heaven" but Lions was one of my all-time favorite books, that of all the thousands I have read it was my "desert island book."

It's a fairly common phrase, but he latched onto it with surprising energy, telling me that no one had ever said that before, and that he was especially taken with it in this case because of the novel's first line: Always remember that they come from the desert.* I said it with him as he spoke it.

After that I thanked him for all his books and for how much they meant to me. He put his hand over his heart and thanked me by name.

It was only later, after Hob had gotten his own autograph and we were out in the parking lot that I realized I was zinging with energy, and a while after that to fully absorb that I had said something unique and meaningful to Kay, and that I had been able to look into his eyes and thank him for the great gift of his stories, which in itself was a privilege I never thought to have.

For those who want to know more about Kay and his books )




* For the purists, that's the first sentence of Part 1, not the Prologue. But if the author says it's the first line, I'm not going to argue!
qos: (Books Reading)
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I'm not sure how much there is left to mine of these books, but each of them has a compelling story, sympathetic characters, and writing styles which really works for me.

My Big Three:
The Lions of Al-Rassan, by Guy Gavriel Kay
Beloved Exile, by Parke Godwin
Shards of Honor, by Lois McMaster Bujold

Others I Love:
Banewreaker/Godslayer, by Jacqueline Carey
Waiting for the Galactic Bus, by Parke Godwin
Lammas Night, Katherine Kurtz
Summer of the Red Wolf, by Morris West
Sailing to Sarantium and Lord of Emperors, by Guy Gavriel Kay
The River Why, by David James Duncan
The Moon Under Her Feet, by Clysta Kinstler
qos: (Holy Hera)
Okay, I know that the urban fantasy genre has become increasingly popular (right along with supernatural romance). And I understand that not every author can be a Charles de Lint or Neil Gaiman. But I can't seem to find words to describe just how mind-bogglingly outlandish this plot description is:

When a serial killer targets fairy prostitutes in a Boston neighborhood known as the Weird, Connor Grey, a crippled druid and former Guild detective, discovers that the killings are part of an ancient magical ritual that could bring about the apocalypse.

I mean, if I were an editor and this was the lead-in for a book proposal, I'd think one of my colleagues was playing a joke on me and hit the delete key.


Please understand, I like Harry Dresden and the Nightside, and those can get pretty over-the-top, but I don't think that they've ever managed a combination like this. Not in such a brief synopsis, anyway.
qos: (Elphaba Writing  by elphie_chan)
I just finished reading The Amateur: An Independent Life of Letters, a collection of personal essays by Wendy Lesser.

I had picked it up hoping, even expecting, to find inspiration for my own efforts to build an "independent life" -- but although several of the essays were engaging in their own right, my ultimate reaction to the book was one of alienation rather than inspiration.

Lesser lives in the kind of world I had expected to grow up to inhabit: one of academia, literary readings and publications, frequent visits to the theater, opera, dance stage and concert hall. She writes of Berkeley professors, London theatrical directors, MacArthur grant winning poets.

What was most interesting to me was that I felt no envy of her life. It would be nice to have her level of affluence, yes. It would be nice to partake more in the life of academia than I do. But overall: no. That's not the life I want.

Like her, I want to publish. I want to teach. But I want to live a life that has more rawness and passion than her neat, civilized essays express. I want to engage with people whose spiritual lives have urgency behind them. I would rather spend a weekend with ordeal masters than literary critics. I would rather publish the raw anguish of my grieving, the Void, and my descents than her observations of literary life and folk in Berkeley and New York.

It can be frustrating to find myself expressing insights in negative terms (ie: I don't want that), but this is an important confirmation. In one sense, the life I thought I would have has escaped me; but it's also true that the life I thought I would have is no longer the life I want.

Honestly -- and have I ever thought about this way before? -- if I had ever truly wanted that life, wouldn't I have put more focused energy and effort into actually achieving it? Goodness knows I have invested heart and soul into those few things I've truly and deeply wanted.

Classics

May. 25th, 2009 06:57 am
qos: (belle book love)
Which "classics" have you read that actually made a strong impression on you, and/or had a significant influence on you? Which do you keep in your library because you truly want to have them at your fingertips to read -- or at least dip into -- again and again?


ETA: Lists are great, folks -- but what I'm really interested in is why and/or how these books touched you in such an important way.
qos: (belle book love)
Just in case anyone is curious, these are the books that I love the most, the ones that don't get shelved with the others of their genre.

Like the former title of this journal, they range from the sublime to the ridiculous.

A little bit of everything, and it comes close to adding up to me. . .  )
qos: (belle book love)
I didn't try to organize my books when I first moved into this apartment. I just threw them up on the shelves as fast as I could so I could break down the boxes and get them out. Since then, I've been frustrated by not being able to find anything. This evening I started sorting it out -- which is a real challenge given the size of my library.

My first thought was that I would take all the books down and stack them into piles by topic, and then figure out how the whole system would be organized -- but I don't have that much floor space. Once there were a few hundred volumes scattered about, with hundreds more still sitting on shelves I decided a new strategy was in order. Instead, I decided to focus on what was most important to me and just let things develop from there.

The shelves so far. . .  )
qos: (belle book love)
I woke up at 3:45am for no good reason and was not able to go back to sleep because my brain started churning on whether or not I should put a list of "Books That Influenced My Path" on my website, and if so, what they should be. Since that was keeping me awake, I finally just got up and made the list.

Here, if you're interested -- although it's not final )

It's now 5:10 and I'm about to head back to bed. Usually my alarm goes off at 5:45, but I'm going to set it back an hour.


ETA: Woke Wolfling up at 7:00 for school, went back to sleep, slept until 10:04. I love not having a day job!
qos: (Bubblegum Zen)
Wolfling tends to be rather nonchalant and somewhat hard to impress. She's not sullen or dismissive, she just doesn't get excited about a lot of things. She's never been one to squeal or jump up and down a lot.

I've heard her **squee** twice this week. And I mean a serious squee: loud voice, full body involvement, goes on and on. What prompted this uncha

1. Spike's first appearance on Buffy

2. My showing her the just-arrived copy of Turn Coat the new Harry Dresden novel


I'm definitely raising a geek. :-)
qos: (The Breeze at Dawn)
My sophomore year of college was one of huge pain and transition spiritually. My difficult freshman year had been made easier by a truly special group of friends in the Intervarsity Christian Fellowship group to which I belonged, but when I returned after a year's leave, more than half the people I had known had graduated, and the overall character of the group had shifted significantly to the conservative side. I no longer felt comfortable there -- and when my existential crisis hit, everything went out the window and I would lie in bed every night and struggle with The Void.

During this time, a fellow student whose name I can't even remember now shared with me a book called Growing Into the Blue, by Ulrich Schaffer. It's a collection of poetry about pain and growth and serenity illustrated with beauitiful photographs. The words of those poems captured beautifully the kinds of feelings I was experiencing.

As usual, a good night's sleep has helped me recover after last night's crash, but one of the first things I did this morning was take down Blue and page through it, something I haven't done for years. The words were like old friends. . .


I follow my built-in compass.
I hone my instincts.
I reevaluate my guidance system.
I let go of ballast.
I test my wings.

I don't make bargains with half-measures.
I am on the road of learning.
I see the clarity of mirrors grow.
I spell my way to understanding.
I don't want an illustrious standstill.
I am perpetual motion.
Standing still is the motion of rest.

I have one goal: to touch the blue.
I want limitlessness as my ultimate skin.
I am not content with numbing repetition.
I want the cutting edge,
the lifted boundaries,
the forging vanguard,
the brazenness of life,
a cut of the unencumbered.

This is the profile of which I have to remind myself.
qos: (Wendy Yes)
[livejournal.com profile] mamadar posted a link to a review of the Twilight series in The Atlantic Online. Neither she nor I have read the series, but the review is very interesting in its perspective on why the story is so powerful for teenage girls. The author of the review certainly captured my experience, as I remember it, especially in this passage:


The salient fact of an adolescent girl’s existence is her need for a secret emotional life—one that she slips into during her sulks and silences, during her endless hours alone in her room, or even just when she’s gazing out the classroom window while all of Modern European History, or the niceties of the passé composé, sluice past her. This means that she is a creature designed for reading in a way no boy or man, or even grown woman, could ever be so exactly designed, because she is a creature whose most elemental psychological needs—to be undisturbed while she works out the big questions of her life, to be hidden from view while still in plain sight, to enter profoundly into the emotional lives of others—are met precisely by the act of reading.

I too spent many, many hours behind the closed door of my bedroom reading in order to work out the big questions of my life -- and when I wasn't reading, I was writing my own stories in my secret code, trying to figure out What I Thought About Things and working out Who I Wanted To Be.

Wolfling just sent me a URL to a website with Twilight-themed t-shirts as part of her Christmas wish-list. It's fun to see her so passionately engaged with a story and with characters like this. It makes me feel even closer to her.
qos: (belle book love)
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My parents, despite their tendency to conservativism, never censored my reading as I was growing up. I suspect they may have been a bit concerned if they realized the sexual education I was getting via romance novels and even some of my science fiction, but I was careful never to mention those parts if/when I talked about something I was reading.

In recent years, my mother's comment was We trusted you -- suggesting to me that they would have expected me to avoid "inappropriate" material. There were certain things that I avoided because of personal taste (horror or hardcore porn for example), but I never avoided a book just because I knew my parents would not approve. I can't remember ever hiding a book.

The funny exception to this was the two or three times I bought Tiger Beat magazine. My father had a flat rule that we could not buy teen fan magazines because he didn't want us "worshipping movie stars." It wasn't actually a ban coming from a spiritual bias, but his general dislike of the thought of his daughters swooning over tv and movie stars. Twice during my junior high years I took the long way to walk home, bought Tiger Beat at the grocery stores, smuggled it home in my purse, and hid it in the bottom of a drawer.


The consequences of my experience as a teen are two-fold. First, I have a general policy of not wanting to censor Wolfling's reading any more than my own was censored. On the other hand, unlike my own parents I have a very good idea of what she could be getting into -- especially given her tendency to read fanfiction online. However, I realize that I can't control her reading without putting her under pretty severe supervision, and that's not going to be good for either of us. So I've told her that I'm not going to make rules I can't enforce, or that she will eventually break in this area, but that I would prefer she kept her online reading limited to stories with age-appropriate ratings.

I've also told her not to ever worry about freaking me out with something she's read because odds are that I've already read it, or something like it. I may even have done it. Not something my own parents could have said.

We'll see how it goes. . .
qos: (belle book love)
Wolfling came to me this evening looking for a book to read. I took her into my library and introduced her to some of my favorites.

She's about to start The Summer Tree, by Guy Gavriel Kay, the first book of The Fionavar Tapestry.

I am gleeful.

My Wolfling is about to start reading one of my favorite series by one of my all-time, buy-his-books-in-hardback, favorite authors.

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