qos: (Inanna)
[personal profile] qos
I'm working my way up from the ridiculous to the sublime this afternoon. . .

Yesterday I had my first Day of Reflection with the MATS group instead of the M.Div. cohort. I hadn't thought much about that transition until I got to the site and realized suddenly that I was no longer going to be experiencing this ritual with the people I had come to know and care about last year -- and I felt real grief over that. I missed the people, and felt grief that I would not be sharing their journeys in the same way as I had.

The formal program was pleasant enough, but the unexpected highlight of the day for me was walking a labyrinth. I had never done this before. In fact, despite all the glowing words I'd read about such experiences, I had never been interested. My rational mind was entirely unconvinced that walking a twisted pattern painted on the ground could possibly have any kind of positive spiritual impact. (Yes, my spiritual life involves a constant tension between my trusting, intuitive, creative side and my rational, often cynical, intellectual side.)

What struck me almost immediately as I began to walk was that the turns in the path were hairpin turns: they seemed to send me right back where I started from. But that was an illusion, because the path continued onward. I was not walking back where I had come from. The lesson was completely non-subtle, but no less valuable for all that. That was my primary insight on the inward path: that "the road goes ever on and on" even when it first seems like you are retracing your steps.

I was taken entirely by surprise by my experience in the center. I stood in the very center of the center and closed my eyes, and could feel energy pulsing around me. I was vividly reminded about everything I have ever read about the dark caves of initiation in the ancient Pagan faiths. The word omphalos kept repeating in my mind. I felt as though I had stumpled into a cave of Mystery, even though I was standing in a totally exposed flat space in the afternoon sunshine. It was a place of gestation and re-birth. It was profoundly Feminine and sacred.

On the outward journey I was aware of re-tracing my steps but being on a different journey. More vividly, I felt that I had left a dead skin and excess baggage back in the Center, and that I was going forward lighter. All that I did not need, that no longer served me, had been left behind. I was re-born, but not new. I carried with me all the gifts and strengths of my previous journey/life. I wanted to run or skip through the path, I felt so light.

It was only this afternoon, as I reflected again, that I remembered my repeating Queen of Wands, and the Kali aspect of destruction and creation that continues to resonate with me. I had a gentle experience of that energy yesterday.

The rest of the afternoon, I felt very peaceful and centered.

It was truly an amazing experience, in a very quiet way.

(no subject)

Date: 2004-09-21 06:57 pm (UTC)
queenofhalves: (Default)
From: [personal profile] queenofhalves
that's wonderful.

i've never had such a profound experience in a labyrinth as you just described, but i do find walking one to be a much more complex and interesting experience than one would think walking a design on a floor would be.

(no subject)

Date: 2004-09-21 07:44 pm (UTC)
From: [identity profile] grailquestion.livejournal.com
I need to go labyrinth-walking one day. I'm not an unquiet person, but I find I can't meditate by sitting still; I either end up fidgeting or falling asleep. I meditate best with some gentle activity.

What a beautiful experience. I appreciate the fact that you have a cynical, rational side; I hear echoes of my own cautious, skeptical spirituality in your words.

(no subject)

Date: 2004-09-22 08:14 am (UTC)
From: [identity profile] justbeast.livejournal.com
I was just thinking the same thing -- we really need to find a labyrinth somewhere.

(btw, I like your icon :)

(no subject)

Date: 2004-09-22 05:26 am (UTC)
From: [identity profile] archyena.livejournal.com
I had once thought that I'd like to build a labyrinth as an installation piece if I ever rated as "museum class." The entire thing would be built of doors on a grid, some doors would open, others wouldn't and you'd have to pass through the labyrinth to get to the opposite end of the gallery.

(no subject)

Date: 2004-09-22 05:49 am (UTC)
From: [identity profile] qos.livejournal.com
That's a fascinating idea -- and something that would have never occurred to me.

(no subject)

Date: 2004-09-22 05:55 am (UTC)
From: [identity profile] archyena.livejournal.com
The concept is that some of the doors have combination locks and if you can read the languages printed on them, you will know the combination. The inspiration was actually immigration laws and how they put a lot of people at a very frustrating disadvantage. The doors are not only a physical metaphor, they also eliminate your vision of where you are headed and where you were before.

(no subject)

Date: 2004-09-22 05:59 am (UTC)
From: [identity profile] qos.livejournal.com
Thanks for the elaboration. I didn't think the concept involved "just" doors, but I wasn't sure how to ask what made them special.

I always enjoy hearing how people translate issues and ideas into artistic metaphors, especially when their symbolic language and/or their chosen medium is different than what comes naturally to me.
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