Oct. 13th, 2007

qos: (Defying Gravity)
Happy, happy birthday to my one of my very first LJ friends: the incomparable Priestess-Dr. [livejournal.com profile] queenofhalves!

May the coming year be full of blessings and adventures and satisfying, gainful post-doc employment!
qos: (Wendy Yes)
Yesterday evening someone who I like very much, and for whom I have the deepest respect, asked if I would be willing to be her spiritual director.

I said yes.

I think her specific interests are a perfect match for my areas of strength, and she is wise and mature enough in her own spirituality to be able to compensate for my newness in taking on this role in a formal way.

I am not going to be writing much about this because of confidentiality -- but just to be asked is such a huge milestone, and I am deeply honored and grateful. I think it's going to be an exciting, enriching journey.
qos: (Elizabeth Shhh)
Unfortunately, the reviews I read over the past couple of days were right: Blanchett's costumes get more attention than just about anything else in this movie.

The first Elizabeth movie was -- and remains -- marvelous: a tense, exciting political and romantic drama with a stellar cast. This movie, on the other hand, while equally gorgeous in appearance, lacks the intensity and drive of the first one. There are endless cuts over to Philip of Spain who is moodily contemplating the end of the "bastard" Elizabeth. He obsesses on the word. We keep coming back to Mary, Queen of Scots writing letters. We see plotters meeting in a dyers shop who mutter about plans. There are nations at stake, and where is the juice of the film? In an awkward love triangle (if you can even call it that) between the queen, her favorite lady-in-waiting, and Walter Raleigh, which reduces to the great queen to a tempermental teenager.

When the script allows it, Blanchett shines, as always. She has tremendous charisma and intelligence, and she can be either ferocious or vulnerable. But she's not allowed to command this movie the way she did the first one. Geoffrey Rush is even more wasted.

The best moments belong to or directly involve Clive Owen. I'd be willing to watch the whole movie again just to listen to his speech about what it's like to be at sea.

If it were a different kind of movie, I might recommend waiting to see it on DVD, but this is a spectacle, and should be seen on the big screen if at all possible. Go with no expectations except to enjoy the eye candy and a few beautiful moments.
qos: (Eleanor - Strong  by __stormyskies)
[livejournal.com profile] iconsbycurtana just posted a bunch of icons from The Lion in Winter. I'm not going to be uploading them to my userpics, but grabbed a few for my personal gallery. Since I know there are some fellow fans on my flist, I thought I'd share them.











qos: (Aragorn Looking Glass by Burning_Ice)
What if the person you loved died, but still sent you letters. . .






"Why do I have to be the responsible grown-up who worries? Why can't I be the cute, carefree Irish guy who sings all the time?"
Page generated Jun. 17th, 2025 06:00 am
Powered by Dreamwidth Studios