Still at home, waiting for my dad to give me a ride to work. . . .
On Saturday I took myself out to dinner
alone and then to see
Rent (which I probably would not have been interested in at all if not for the introduction by
kateri_thinks. It was quite good, but I kept thinking that it would be even better onstage, where it started.
Last night, courtesy of Netflix, I finally watched
Kingdom of Heaven. My big question: how does a skinny guy like Orlando Bloom keep getting cast as a blacksmith? I really wanted to like it, especially with Liam Neeson and Jeremy Irons in the cast, but I kept smacking up against my inability to suspend disbelief at the prospect of a village blacksmith who turns out to be a prodigy with the sword, the only survivor of a shipwreck (except for the black stallion who somehow also survived), a forward thinking landowner, and genius military strategist. It was just too much to accept. (This, yes, from the woman who just swooned over Muppets in 3-D. I never claimed to be consistent. And I guess the Muppets never claimed to be anything but what they are either.) The movie cried out to be a novel, where there would be time for the lead character to grow and develop instead of leaping straight from peasant to warrior lord. But it was gorgeous to look at.
When I was at "Rent" I saw a preview for "Memoirs of a Geisha." It wasn't something I'd been interested in, but I've decided I can't miss a movie starring Zhang Ziyi, Michelle Yeoh, Gong Li and Ken Watanabe. It was fun to see Ziyi and Yeoh together again; they were so good together in "Crouching Tiger Hidden Dragon."
Dad's here. . . Heigh-Ho, heigh-ho, it's off to work I go.